DEPARTMENT OF FINE ARTS
| Researcher : Clarke DJ |
| Project Title: | Hong Kong in transition: a photo-documentary project |
| Investigator(s): | Clarke DJ |
| Department: | Fine Arts |
| Source(s) of Funding: | Other Funding Scheme |
| Start Date: | 12/1994 |
| Abstract: |
| To create an archive of photo-documentary images documenting and analyzing aspects of cultural and other changes taking place in the period before and after the transfer of sovereignty. |
| Project Title: | The art and visual culture of Hong Kong, China |
| Investigator(s): | Clarke DJ |
| Department: | Fine Arts |
| Source(s) of Funding: | Competitive Earmarked Research Grants (CERG) |
| Start Date: | 12/2000 |
| Completion Date: | 11/2004 |
| Abstract: |
| To document and analyse the art produced in Hong Kong since 1 July 1997 when China resumed sovereignty over the territory. It will be particularly concerned to uncover relationships between the history of Hong Kong art and the broader patterns of cultural and political change taking place. |
| Project Title: | Hong Kong art archive |
| Investigator(s): | Clarke DJ |
| Department: | Fine Arts |
| Source(s) of Funding: | Seed Funding Programme for Basic Research |
| Start Date: | 11/2001 |
| Completion Date: | 12/2004 |
| Abstract: |
| To establish an archival resources on Hong Kong art history, for reference by other scholars, students at all levels, curators, museum professionals and other interested parties. |
| Project Title: | Contemporary Hong Kong art in context |
| Investigator(s): | Clarke DJ |
| Department: | Fine Arts |
| Source(s) of Funding: | Incentive Award for RGC CERG Fundable But Not Funded Projects |
| Start Date: | 07/2004 |
| Abstract: |
| Refer to hard copy |
| Project Title: | Water and art |
| Investigator(s): | Clarke DJ |
| Department: | Fine Arts |
| Source(s) of Funding: | Small Project Funding |
| Start Date: | 11/2004 |
| Abstract: |
| To look at various episodes from different cultures where water becomes significant (or even in a sense problematic) in the history of art. |
| List of Research Outputs |
| Clarke D.J., Abstraction and Modern Chinese Art, Discrepant Abstraction Symposium. London, Institute of International Visual Art, 2005. |
| Clarke D.J., Artwork Exhibited., Annual Fundraising Exhibition, 25 November–11 December 2004. . Sydney, Asia-Australia Arts Centre, 2004. |
| Clarke D.J., Artwork Exhibited., Artmart 04, 10 - 18 December 2004. Hong Kong, Para/Site Art Space, 2004. |
| Clarke D.J., Artwork Exhibited., Moonstruck, 1-30 April 2005. Curated by Norman Jackson-Ford and Jeffrey Aranita.. Hong Kong, Club 64, 2005. |
| Clarke D.J., Artwork Exhibited., Reclaimed Land: Hong Kong in Transition, 4 - 15 February 2005. A solo exhibition of sixteen of my photographic artworks from the UMAG permanent collection. Hong Kong, University Museum and Art Gallery, HKU, 2005. |
| Clarke D.J., Artwork Exhibited, Dislocation Re-launch Exhibition, a) Volkswagen Fotogalerie, Fringe Club, Hong Kong, 26 June–10 July 2004, also shown at Lee Ka-sing Gallery, Toronto, Canada, 8-25 September 2004.. Hong Kong & Toronto, 2004. |
| Clarke D.J., Artwork Published., A selection of photos on the theme of music was featured in PS (Hong Kong). Hong Kong, Parasite/HK Art Space, 2005, 26: 68-71. |
| Clarke D.J., Artwork Published., One photo is featured Dislocation magazine (Ocean & Pounds, Toronto, http://oceanpounds.com/dislocation and via http://lightreadings.com), along with an artist's statement (p88). Toronto, Ocean& Pounds, 2004, issue 14. |
| Clarke D.J., Artwork Published., One photo was featured in Oxfam Magazine [Hong Kong]. Hong Kong, Oxfam Hong Kong, 2005, 1. |
| Clarke D.J., Artwork Published, A double-page spread feature on my photography was presented in its guest-edited ‘Dislocation’ section. A digital version was published separately . Hong Kong, Milk, 2005, 201: 98-99. |
| Clarke D.J., Artwork Published, Two photos have been featured in Dislocation M2, a photographic e-magazine edited from Toronto( http://dislocationmagazine.com). . Toronto, 2005, issue 4. |
| Clarke D.J., Cross-Cultural Dialogue and Artistic Innovation: Teng Baiye and Mark Tobey, In: Jo-Anne Birnie Danzker, Ken Lum and Zheng Shengtian , Shanghai Modern 1919-1945 (This volume was published on the occasion of the exhibition Shanghai Modern in the Museum Villa Stuck, Munch October 14 2004- January 16 2005 and in the Kunsthalle zu Kiel February 25-May15 2005). Germany, Museum Villa Stuck, 2005, 84-103. |
| Clarke D.J., Hong Kong Art: A Bibliographic Guide. Hong Kong, Hong Kong Art Archive, 2004, 734pp. |
| Clarke D.J., Indexicality and Iconicity: The Body in Chinese Art, Semiotica. Germany, Walter de Gruyter, 2005, 155 (1/4): 229-248. |
| Clarke D.J., Oscar Ho and the art of curating (with Chinese translation), 何慶基與策展的藝術, In: Eliza Lai and Irene Ngan, Mapping Identities: The Art and Curating of Oscar Ho. 身份何在 - 何慶基的策展工作及藝術, Hong Kong, Para/Site Art Space Ltd., 2004, 115-123. |
| Clarke D.J., ‘Hong Kong Art: A Bibliographic Guide’, searchable web-based database accessible via the home page of the Hong Kong Art Archive (http://web.hku.hk/kaa/). Phase II went on line January 2005, and contains over 9500 entries. . Hong Kong, Hong Kong Art Archive, 2005. |
| Clarke D.J., ‘Hong Kong Art: Visual Archive’, searchable web-based database accessible via the home page of the Hong Kong Art Archive (http://web.hku.hk/kaa/). Phase II was completed in 2004, and features up to 20 images of work by a total of 144 artists. . Hong Kong, Hong Kong Art Archive, 2004. |
| Researcher : Fok SSH |
| List of Research Outputs |
| Fok S.S.H., As Chinese Language Editor, Hong Kong Art: A Bibliographic Guide. Hong Kong, Hong Kong Art Archive, 2004, 734pp. |
| Researcher : Lau TM |
| List of Research Outputs |
| Lau T.M., In: Lau Tin Ming (producer), Love in a doggy bag - McMuiMui Dansemble (Performance). 雙妺嘜舞蹈劇場 - 尋找家豬的故事, Hong Kong, CCDC Dance Centre, 2005. |
| Researcher : Lee SCJ |
| List of Research Outputs |
| Lee S.C.J., George Chinnery and Lamqua, Seminar on George Chinnery - Commemorating the 180th Anniversary of his Arrival in South China, Jointly organized by the Hong Kong Museum of History, the Leisure and Cultural Services Department and The Hong Kong Branch of the Royal Asiatic Society. 2005. |
| Researcher : Muir CD |
| Project Title: | The iconography of mystic marriage in christian art: the individual soul and the divine |
| Investigator(s): | Muir CD |
| Department: | Fine Arts |
| Source(s) of Funding: | Low Budget High Impact Programme |
| Start Date: | 11/2001 |
| Completion Date: | 10/2004 |
| Abstract: |
| To examine the experience and visual imagery of mystic marriage as it pertains to selected female and male mystics in Northern Europe during the late Medieval and Renaissance periods. |
| Project Title: | Saintly brides and bridegrooms: the mystic marriage in northern renaissance art |
| Investigator(s): | Muir CD |
| Department: | Fine Arts |
| Source(s) of Funding: | Small Project Funding |
| Start Date: | 11/2004 |
| Abstract: |
| To study the visual imagery of selected male and female mystics during the Northern Renaissance, i.e. the 14th to 16th centuries, as a manifestation of certain religious attitudes and beliefs that had developed during the Middle Ages. |
| List of Research Outputs |
| Muir C.D., Bride or Bridegroom? Gender, Identity, and Imagery in Late Medieval Mystic Marriages, Gender Studies Research Centre, Chinese University of Hong Kong. Hong Kong, Chinese University of Hong Kong, 2005. |
| Muir C.D., Bride or Bridegroom? Masculine Identity in Mystic Marriages, In: P.H. Cullum and Katherine J. Lewis , Holiness and Masculinity in the Middle Ages (Religion and Culture in the Middle Ages series); also issued in paperback by University of Wales Press and University of Toronto Press, 2005. UK, Cardiff: University of Wales Press, 2004, 58-78. |
| Muir C.D., St. Agnes of Rome as a Bride of Christ: A Northern European Phenomenon, c.1450-1520, Simiolus: Netherlands Quarterly for the History of Art. Netherlands, Swets & Zeitlinger B.V., 2005, 31, no.3, 2004-2005: 134-155. |
| Researcher : Stanley-Baker PR |
| List of Research Outputs |
| Stanley-Baker P.R., Mythic and Sacred Gardens in Medieval Japan: Sacral Mediation in the Rokuonji and the Saihoji Gardens, Proceedings of Studies in Landscape Architecture at Dumbarton Oaks No. 11, Ritual and Agency in Gardens and Landscapes. USA, Dumbarton Oaks, 2004. |
| Researcher : Thomas GM |
| Project Title: | Impressionist childhood |
| Investigator(s): | Thomas GM |
| Department: | Fine Arts |
| Source(s) of Funding: | Small Project Funding |
| Start Date: | 11/2003 |
| Abstract: |
| To write a scholarly book about the representation of childhood and families in Impressionist painting in France during the later 19th century. |
| List of Research Outputs |
| Thomas G.M., "Impressionism and Global Modernity", Impressionism: Treasures from the National Collection of France. Hong Kong, Hong Kong Museum of Art, 2005, 79-91. |
| Thomas G.M., Impressionism and Modern Life, Paris to Hong Kong, Hong Kong, Hong Kong Museum of Art, 2005. |
| Thomas G.M., Ordinary Moments: The Modern Moods of Impressionism, Hong Kong, Friends of the Hong Kong Museum of Art and the Oriental Cera, 2005. |
| Thomas G.M., Orientalist Aesthetics by Roger Benjamin, Nineteenth-Century Art Worldwide. online, Association of Historians of Nineteenth-Century Art (AHNCA)., 2004, 3 No. 2, autumn 2004. |
| Thomas G.M., Review of Orientalist Aesthetics by Roger Benjamin, Nineteenth-Century Art Worldwide, vol. 3, no. 2, autumn 2004 , 2004. |
| Researcher : Thomson JW |
| List of Research Outputs |
| Thomson J.W., Arts Education in Hong Kong: A Model of Persistence, In: Lindy Joubert, Arts Education in Asian Arts Education: Linking Culture and Diversity, Vocations and Life Skill. Paris, UNESCO, 2005. |
| Thomson J.W., Hong Kong: Culture and Creativity. Hong Kong, Hong Kong Arts Development Council, 2005. |
| Researcher : Wan Q |
| List of Research Outputs |
| Wan Q., Huang Binhong and His Theory of the Revival of Later Qing Painting, Literature & Art Studies. Beijing, Literature & Art Studies, 2004, no. 6: 101-107. |
| Wan Q., Selected Essays on Art History Study. 萬青力美術文集, Beijing, 人民美術出版社, 2004, 286pp. |
| Wan Q., The Century Was not Declining in Art: A History of the Nineteenth-CenturyChinesePainting . 並非衰落的百年：十九世紀中國繪畫史, Taiwan, Hsiung Shih Art Book Co. Ltd., Taipei. 台北雄獅美術圖書公司, 2005, 262pp. |
| Wan Q., The Demands of Reform: Interpretation of Western Art in China, Bulletin of Western Art History Association. Seoul, Western Art History Association, 2005, April 2005: 16-23. |
| Wan Q., The Modifications of Chinese Painting from Later Qing to Republican Period, The National Art Museum of China. Beijing, The National Art Museum of China, 2005, 5: 82-85. |
| Wan Q., Wan Qingli: Solo Painting Exhibition 2003. 萬青屴畫展, Hong Kong, China-Gallery, 2004, 142 pages. |
| Researcher : Zheng J |
| List of Research Outputs |
| Zheng J., A Study on the Planning of Buddhism Landscape in Scenic Spots and Historic Sites - With Xishan Scenic Spot and Historic Site of Guiping, Guangxi as an Example, 風景名勝區佛教景觀規劃研究─以廣西桂平西山風景名勝區為例, Planners. 規劃師, 南寧市, 規劃師雜誌社, 2004, 109, No.1 in 2005: 56-59. |
| Zheng J., 山東牟氏莊園建築文化研究, In: 張復合, 中國近代建築研究與保護, 北京, 清華大學出版社, 2004, 4: 162-190. |
| Zheng J., 鄭潔近作三首, 香港書畫報, 香港, 書藝出版社, 2004, 28: 第三頁. |