DEPARTMENT OF MUSIC
| Researcher : Buenconsejo JS |
| List of Research Outputs |
| Buenconsejo J.S., Reciprocity in Rice, Rice in the Seven Arts. Los Banos, Laguna (Philippines), Asia Rice Foundation, Philippines, 2004. |
| Buenconsejo J.S., The Burnt Gifts: On the Cultural Values of Brass Percussion Music, with Special Reference to the Paired Drum-and-Gong Music in Agusan Manobo Ritual, Vietnam Institute of Culture and Information. 2004. |
| Buenconsejo J.S., The Passion of the Word: On the Musical Ethnopoetics of Agusan Manobo Song, University of the Philippines Center for Ethnomusicology. 2005. |
| Researcher : Chan HY |
| List of Research Outputs |
| Lam H.M. and Chan H.Y., New Music in China and The C.C. Liu Collection at the University of Hong Kong. Hong Kong, China, Hong Kong University Press, 2005, 363. |
| Researcher : Chan JKB |
| List of Research Outputs |
| Chan J.K.B., Fair Ladies: Composition for Liuqin, Yangqin, Zhongruan and Gehu. Premiered by LASO Plucked in Hong Kong City Hall Theatre, Hong Kong, 2005. |
| Chan J.K.B., Plus More: Composition for Chinese Orchestra. Premiered by New Tune Chinese Orchestra at the Hong Kong City Hall Concert Hall, Hong Kong, 2005. |
| Chan J.K.B., Skyland Ascended: Composition for Huqin Quartet. Premiered by Singapore Huqin Quartet at Osaka Izumi Concert Hall, Japan, Osaka, Japan, 2005. |
| Chan J.K.B., Sunshine Rhapsody: Composition for Harmonica Band and Mixed Orchestra., Premiered during the 5th Asia Pacific Harmonica Festival at the Hong Kong Cultural Centre Concert Hall. Hong Kong, 2004. |
| Researcher : Kuegle KBJ |
| Project Title: | Music, musicians, and constructions of nationhood, ca. 1840-1880: the cases of Bedrich Smetana, Robert Volkmann, and Franz Liszt |
| Investigator(s): | Kuegle KBJ |
| Department: | Music |
| Source(s) of Funding: | Low Budget High Impact Programme |
| Start Date: | 11/2001 |
| Completion Date: | 10/2004 |
| Abstract: |
| To investigate the careers and creative outputs of three prominent artists of differing ethnic and national orientations (the Czech Smetana, the German Volkmann, and the German-Hungarian Liszt) along such lines of inquiry. |
| Project Title: | Codex Turin, Bib1. Naz. Univ. J.II.9, the Avogadro family, and musical life in late medieval and early Renaissance Brescia (Italy) |
| Investigator(s): | Kuegle KBJ |
| Department: | Music |
| Source(s) of Funding: | Small Project Funding |
| Start Date: | 11/2002 |
| Completion Date: | 09/2005 |
| Abstract: |
| To take immediate advantage of the research momentum gained through my recent investigation by pursuing the most obvious among the many possible avenues for follow-up research - an archival investigation of musical life in late 14th and early 15th-century Brescia, the city which provided the cultural backdrop to the extraordinary artifact that is codex J.II.9. |
| Researcher : Mora M |
| Project Title: | The mimetic imagination: a comparative study of imitative musical practices in Mindanao (Philippines) |
| Investigator(s): | Mora M |
| Department: | Music |
| Source(s) of Funding: | Competitive Earmarked Research Grants (CERG) |
| Start Date: | 09/2000 |
| Abstract: |
| To investigate indigenous concepts and practices of musical mimesis across selected ethnolinguistic groups in Mindanao (Philippines). The main research activities will include ethnographic documentation of performances, and musiological and anthropological analysis of data and cross-cultural comparison. |
| List of Research Outputs |
| Researcher : Predota GA |
| Project Title: | Johannes Brahms: Symphony Nr, 5 in E-flat |
| Investigator(s): | Predota GA |
| Department: | Music |
| Source(s) of Funding: | Other Funding Scheme |
| Start Date: | 11/2002 |
| Abstract: |
| To produce, along with an extensive critical apparatus, a performance edition of the surviving movements of the 5 Symphony by Johannes Brahms with an eye on a world premiere performance in Hong Kong. |
| List of Research Outputs |
| Predota G.A., "Badgering the Creative Genius: Paul Wittgenstein and the Metamorphosis of Musical Patronage", The Hong Kong Academy for Performing Arts Lecture Series. Hong Kong, 2004. |
| Predota G.A., "Muddying the Waters: Max Kalbeck and the 5th Symphony by Johannes Brahms", Symposium of the International Musicological Society. Melbourne, 2004. |
| Predota G.A., "Paul Wittgenstein’s creation of a Repertory", Hawaii International Conference on Arts and Humanities 2005. Honolulu. |
| Predota G.A., "Reinventing Cultural History: Restoration, Heritage and the ‘Avant Garde’ in Contemporary Austria", Consul-General-in-Residence Lecture Series/HK Baptist University. Hong Kong, 2005. |
| Predota G.A., "Schoenberg's Überbrettl," Auch Spass muss sein! The Lighter Side of Austro-German Music, RTHK, Radio 4, Radio Lecture, 7-8pm, Hong Kong, 2004. |
| Predota G.A., "Wandel des Maezenatentums am Beispiel Paul Wittgensteins", Österreichisches Kulturforum und Botschaft Berlin. Berlin, 2004. |
| Predota G.A., New Music in China and The C.C. Liu Collection at the University of Hong Kong. Hong Kong, Hong Kong University Press, 2005, 363. |
| Predota G.A., “Auch Spass muss sein! The Lighter Side of Austro-German Music,” Ed. Jimmy Shui. Hong Kong: Friends of Radio 4 Society, Fine Music Magazine. Hong Kong, 2004. |
| Predota G.A., “Badgering the Creative Genius: Paul Wittgenstein and the Metamorphosis of Musical Patronage,” Eds. Johann Holzner and Alan Janik, Edition Brenner-Forum, Band 3. Innsbruck, Studien Verlag, 2005, 1-48. |
| Predota G.A., “Jazz to the Rescue,” Auch Spass muss sein! The Lighter Side of Austro-German Music, RTHK Radio 4, Radio Lecture, 7-8pm, Hong Kong, 2004. |
| Predota G.A., “Kurt Weill: From Berlin to Broadway,” Auch Spass muss sein! The Lighter Side of Austro-German Music, RTHK Radio 4, Radio Lecture, 7-8pm, Hong Kong, 2004. |
| Predota G.A., “The Cabaret during the Weimar Republic,” Auch Spass muss sein! The Lighter Side of Austro-German Music, RTHK Radio 4, Radio Lecture, 7-8pm, Hong Kong, 2004. |